
Review: Devil's Knot
Before the release of Antom Egoyan's much-derided Cannes entry, The Captive, the director releases true-crime thriller Devil's Kno...
Before the release of Antom Egoyan's much-derided Cannes entry, The Captive, the director releases true-crime thriller Devil's Kno...
Olatunde Osunsanmi impressed with The Fourth Kind back in 2009 - a film that utilised the found-footage style before it started to bog ...