GFF19 Review: Black Circle
Cult film icon Christina Lindberg returns to the big screen in Swedish sci-fi horror Black Circle . Adrián García Bogliano ( Here Co...
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GFF19 Review: Here Comes Hell!
Part gleeful homage to classic William Castle inspired horror, part gory video nasty, Here Comes Hell! is playful slice of horror-comedy. ...
GFF19 Review: Keep Going (Continuer)
Director Joachim Lafosse transforms Laurent Mauvignier's novel into a feast for the senses as he depicts a mother and son's jou...
GFF19 Review: Dragged Across Concrete
S. Craig Zahler's name was one that adorned the lips of many a genre fan after his blisteringly intense Western Bone Tomahawk hit scr...
GFF19 Review: Only You
Josh O’Connor and Laia Costa lead romantic drama, Only You, from writer-director Harry Wootliff. Exploring the challenges of modern love...
GFF18 Review: Lucky
The late Harry Dean Stanton leads Lucky - which has sadly become his final lead role. Lucky marks actor J ohn Carroll Lynch's direc...
GFF18 Review: Rod Taylor: Pulling No Punches
Robert de Young directs ' Rod Taylor: Pulling No Punches ' a glimpse into the film career of Australian actor Rod Taylor . Altho...
GFF18 Review: Beast
Michael Pearce writes and directs Beast , a Jersey set psychological thriller which launches Jessie Buckley and Johnny Flynn as two ...
GFF18: Let the Sunshine In
Juliette Binoche heads French anti-romantic drama, Let the Sunshine In (Un beau soleil intérieur) . The film marks Parisian filmmaker Cla...
GFF17: Warren Beatty's Rules Don't Apply
Few filmmakers and actors have CVs as seamless as Warren Beatty. The actor became a Hollywood icon with a string of critical and (mostl...
GFF17: Cate Shortland's Berlin Syndrome
Five years since her last film (the critically acclaimed Lore ), Cate Shortland returns with another German set-project, Berlin Syndrome...
GFF17: Pablo Larraín's Neruda
Pablo Larraín reunites with No collaborator Gael García Bernal for Neruda , a film that pays tribute the crossing boundaries between fi...
GFF17: Werner Herzog's Salt and Fire
Werner Herzog's first two dramatic features since 2009, Queen of the Desert and Salt and Fire have both struggled to find a UK dist...
GFF17: François Ozon's Frantz
French filmmaker François Ozon has become well known for his subversive Hitchcockian fare that plays with themes of gender and sexuality...
Review: The Club (El Club)
The sins of the Catholic Church receive further cinematic exposure after widespread recognition at the 2016 Academy Awards in the form of...
GFF 2016: Programme Highlights
Last night saw the launch of the Glasgow Film Festival's twelfth official programme and as always, it's another corker with cine...
GFF15 Review: Clouds of Sils Maria
Olivier Assayas writes and directs Clouds of Sils Maria , an ambitious character study examining the lines between fiction and reality, a...
GFF15: Alan Rickman's A Little Chaos
Alan Rickman returns to the director's chair for the first time since 1997's The Winter Guest for his sophomore passion proje...
GFF15 Review: The Town That Dreaded Sundown (2014)
Ryan Murphy's passion for the horror genre goes cinematic in his meta-sequel to 1976 cult slasher, The Town That Dreaded Sundown , ...
GFF15 Review: A Second Chance (En chance til)
Susanne Bier's Serena was a pleasant surprise that served up a solid helping of emotionally-charged period Southern Gothic, but now ...
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